The Connies
Welcome to the 2023 edition of The Connies! Isn’t that a terrible name? It is, but we are going with it, because my last titles were totally boring and because this year’s edition of my annual list of top movies is tweaked to add an award show element. I thought it was a really good year in movies but I find that I have less to say about each of them then in the past. So in addition to a slimmed down top ten list, I have a five categories that highlight a few more movies and in different ways.
My Top Ten of 2023
10. Blackberry
Incredibly funny and a fun look at early ‘00s culture, tech development, and a phone that used to be in all of our lives until it suddenly wasn’t.
9. Godzilla Minus One
An action movie with both heart and a giant lizard snapping a battleship in half; what’s not to love. More on this one below in the categories.
8. The Killer
Probably the movie I will watch the most in the future. I am an absolute mark for David Fincher’s aesthetic. “Anticipate, don't improvise. Trust no one. Never yield an advantage. Fight only the battle you're paid to fight” is my 2024 energy. (Netflix)
7. Zone of Interest
Defines “the banality of evil.” A worthy addition to the already large genre of Holocaust movies
6. John Wick 4
The best in the series that somehow finds new and more thrilling ways for John Wick to kill people. More on this one below, too.
5. Taste of Things
Pots and spoons have never looked better. Taste of Things is a French-language film about a renowned chef and the cook that is his behind the scenes but equally important cooking—and maybe more?—partner. The language is no barrier at all because the real magic is in the visuals: the costumes, setting, and of course, the cooking. A remarkably compelling movie despite having a quite simple plot. But I was engrossed throughout and it inspired me to care a more about the craft, artistry, and joy that can be found in something I do everyday.
4. Ferrari
Adam Driver is the man. I do not know why this Indiana boy and former US Marine loves doing an Italian accent (see also House of Gucci) but he can do it in every movie as far as I am concerned. He plays Enzo Ferrari, and in contrast to the Napoleon biopic of the same year, this movie made the excellent choice to focus on a discrete but pivotal period in Ferrari’s life: preparation for the 1957 Mille Miglia. Driver (who ironically does not race in this motorcar movie) elevates this movie by the sheer force of his performance whether he is explaining the necessary traits of a racing driver or explaining the razors’ edge of his company’s finances. Aside from a few times the CGI was a little extra noticeable, the racing action was also well shot and thrilling.
3. Past Lives
I normally cannot watch romance movies—it triggers second-hand anxiety—but this movie about two people who drop in and out of each other’s lives over two decades after one of them emigrates from South Korea, absolutely worked for me. I don’t want to spoil the story, but this movie takes the more complex and challenging choice at every turn and lands every time. Greta Lee would be my Best Actress and her performance is absolutely necessary in this quiet film that is almost entirely in Korean. It is clearly not my number one “best” but Past Lives is the movie I would first recommend to all audiences of these ten.
2. Anatomy of a Fall
Second place goes to the movie that made me think the most this year. Reductively, Anatomy of Fall is a legal thriller where Sandra (played by Sandra Hüller, also of Zone of Interest) must persuade both a French court and her pre-teen son that her husband committed suicide, not the victim of murder. This story alone would be entertaining enough to recommend, but on top of this mystery is added the complexities of success-disparity in a marriage, how personal and incomplete memory and one’s senses are, and Sandra being a foreigner tried in the French language and courts, which makes this much more than an average “who-dunnit.” The French legal system, at least to my American eyes is bewildering and gripping and this plus a disquietingly loud steel-drum cover of 50 Cent’s “P.I.M.P.” heightens the tension.
1. Oppenheimer
“Oh good, another white guy thinks Oppenheimer is the best movie ever, real surprise.” Perhaps, but what the other white guys and I, and in all likelihood the Academy tomorrow, recognize is that Christopher Nolan’s Oppenheimer is the rare film that is the full package: merging top tier visuals with top-tier acting and narrative. Its for both critics and the public who sees two movies in a theater a year. It is a beautiful and striking movie full of A list, has been, and character actors putting in the performances of their careers. Cillian Murphy and Robert Downey, Jr. have deservedly received adulation, but Alden Ehrenreich, David Krumholtz, Florence Pugh, and Josh Hartnett (among so many others) take small roles and hit homers. A three-hour biopic has never been so engrossing. While being cognizant of spoiling a major element, this is Nolan finding his best and most artful use of this favorite muse: time. Oh, and there’s a filmed nuclear explosion. Oppenheimer was not my favorite movie of the year, nor one I necessarily will pop in yearly on Blu-ray, but it was unequivocally the best. To quote the actress I saw the most this year, Nicole Kidman: “dazzling images, on a huge silver screen [, s]ound that I can feel, …and stories feel perfect and powerful.” You can’t ask for more. Its a movie that justified driving four hours round trip for 70mm IMAX when I have perfectly good couch at home (but also, now streaming on Peacock).
Award Categories
Best Animated
Across the Spider-verse- Though not quite as good of a story as its predecessor Into the Spider-verse (the cost of being the middle of three), but Across took an amazing visual experience and went to another level. The way this movie plays with animation styles and genres is incredible. Incredible creativity that is only possible in animation.
Suzume- Makato Shinkai is to me who Miyazaki is to many other anime fans and Suzume was going to be the first of his I was going to be able to see in theaters. Even with this personal excitement, in a year where my hyped movies largely underwhelmed, Suzume delivered. Though not the A++ visual achievement of Across the Spider-verse, Suzume was still stunning, magical, and transporting, with a great story melding teenage angst, familial loss, and natural disaster. Shinkai’s best since Your Name.
The Boy and the Heron- Hayao Miyazaki is the godfather of Japanese film-length animation for a reason and while his entry of this year did not strike me as much as some, this was an emotional and beautiful addition to his filmography. Unsurprisingly with a Miyazaki movie, this was the most poignant and affecting of the three animated movies here, exploring loss, creation, and legacy. I saw both the subtitled and dubbed versions and both were excellent in their own way, with Robert Pattinson as the titular Heron the highlight. My only complaint is that the Japanese title “How Do You Live” is so much better.
Note: At different points and in different moods these three could be in any order and I feel remiss that none of them are listed on my Top 10. Perhaps they felt so unique and special they needed their laurels in their own category.
Best Action
John Wick 4- A nonstop thrill ride. Somehow this fourth entry is the best and has easily four separate action set pieces that would be my favorite in any year. The Osaka Continental fight. The German Rave with fat-suit Scott Adkins. The Stairs. And of course the top-down view of John Wick clearing a building with a Dragon’s Breath shotgun. [chef’s kiss]
MI7: Dead Reckoning- This movie did not make my top 10 because it really felt like half of a story, but the action as always with these movies delivered.
Napoleon- It is ranked below as one of my three “disappointing” movies, but I really appreciate Ridley Scott keeping the historical epic alive. The Battle of Austerlitz, replete with cavalry charges and cannon fire through a frozen lake, was the highlight but there were plenty of others.
Best Foreign Film
Anatomy of a Fall- This category is to celebrate films that introduced me to a different country in a memorable way. For Anatomy of a Fall, it is the French court system that sticks with me. With the caveat that it is surely a dramatization, if the French courts are 10% like this film portrays, they are absolutely bonkers. Defendants can be questioned at any time about what a witness just said? Three judges are the jury and can snarkily ask questions of witnesses, defendants, and attorneys? In contrast to an Anglo-American system, the French seem to to have fewer evidentiary rules; “bring it all in and in any manner and time and we will decide the truth.” I found a fun explainer with this quote: “France’s is an inquisitorial system, because the model is of a single inquiry into the truth, rather than two parties presenting opposing versions for the judge to then decide which is correct.” I appreciate the adversarial model that is my work life, but it was fun to see the inquisitorial one.
Taste of Things- I surprise myself to have my top two foreign films be from French culture, but the way this movie portrays food, cooking, and the pursuit of excellence in both softened my cold Anglophile heart. It is set almost entirely within one French 19th century home but was somehow one of the best looking films I saw all year.
Godzilla Minus One- I had to have at least one Japanese entry here. This was my first Godzilla film and what a one to start with. It did not have the flash or budget of the American ones (at least from what the trailers show) but this Godzilla looked good and had real menace. This movie wrestled with Japanese cultural questions of hierarchy, honor, self-sacrifice, and atonement in a highly compelling way.
Note: One might notice that Zone of Interest, a movie entirely in German, is in my top ten ahead of Godzilla but not on this list. This is due to Godzilla feeling more representative of a foreign country and culture than ZOI, which is first and foremost a Holocaust movie and is a UK (as well as Polish) coproduction.
Best Surprise Enjoyment
Stop Making Sense- This is a partial cheat because it is a remaster of the 1984 concert film of the same name. But it was new to me and looked incredible in 4K, so I am including it. I did not know that concert films could be this good. Favorite song/scene: Girlfriend is Better.
Blackberry- In a year brimming with “brand movies” Blackberry was the best of the bunch (yes, including Barbie). This is likely because it was the one film that chose to (i.e. allowed to) land punches on the subject brand. Glen Howerton of Always Sunny in Philadelphia fame steals the show and is one of my three favorite performances of the year
You Hurt My Feelings- I am normally in the bottom quartile of Julia Louis Dreyfuss enjoyers; I don’t dislike her but she doesn’t attract me like so many others (I’ve seen 0 full Seinfeld episodes). But this romantic-comedy with JLD and Tobias Menzies (i.e. Edmure Tully) as a middle-aged couple wrestling with “necessary” lies in a relationship was moving and affecting.
Movies I wanted to Like More
Killers of the Flower Moon- I am 70% sure I am wrong on this movie. I really liked this book and this was my No. 1 most anticipated movie of this year. With the passage of time, I do not dislike it but I was bored and frustrated by it, especially coming out of the theater. If I can pinpoint a reason why, I think the horror, sadness, and punch of the mistreatment of the Osage tribe did not come through to me due to some combination of reading the book prior (I already felt and processed it) and perhaps my mood that night. On a rewatch I could see finding a new appreciation but I will also say its available on Apple TV+ and have not found it in me to try again yet.
Napoleon- Some great action (see above) but ultimately bit off too much by trying to cover Napoleon’s whole professional career. I was coming off reading War and Peace which similarly throws cold water on the idea that he was a military genius, so for me personally this would have worked better by picking a more discrete period of his life (invasion of Russia?) or balance things out with why people might think Napoleon was great, even if Scott did not ultimately want to conclude that way. I find it hard to believe that Western Civilization has been duped into thinking Napoleon Bonaparte was a great military mind when he was in fact a buffoon who entirely happened into success and invaded Russia solely because he was cuckholded by his wife.
Maestro- As a novice but interested classical music listener, I needed and wanted the Leonard Bernstein 101; this was LB 302: Leonard’s Bisexuality
Movies I wish I saw
Are You There God Its Me Margaret- On so many lists of people who are otherwise taste makers for me.
Perfect Days- Was not in theaters or VOD until very recently
20 Days in Mariupol- a documentary I did not hear about until this week about the war in Ukraine
May/December